In one of the best films of this type, famous detective Kindaichi solves a series of mysterious murders in a wealthy family. An excellent blend of intrigue and betrayal, set against the backdrop of wealth, this film is loaded with twists and turns and surprises at every corner. Things are never as they seem, and it will keep you guessing until the very end. A rare treasure of a mystery, like none before or since!

This film of the sleepy-eyed ronin series has the quite reluctant hero refuse to come to the assistance of a Japanese Christian in an age of both proselytizing and persecution, but later come around and render the services of his sword following a series of events, with the involvement of a malevolent princess, that lay to bare hypocrisy in many forms.

A greedy developer has placed huge machines to suck dry a part of the ocean near Tokyo so he can put luxury condos there. After a storm, a giant egg washes up on the beach nearby and is immediately put on public display. The developer’s plans go awry when he disrupts Godzilla’s rest and the monster goes stomping through Tokyo again. It’s up to the elderly Mothra, and then to its two offspring, to save Tokyo from destruction.

A female of a trucking company has run-ins with evil yakuza during the American occupation of Okinawa. Her hometown is threatened by usurers, gangsters and indirectly by American GI influences. She must battle a yakuza organization with her employees to help settle things.

Another subversion of audience expectations has Kobayashi acting somewhat cowardly in the snow-bound final showdown, an unheard-of trait in a ninkyô yakuza hero. Also with Tamio Kawaji as a sword-wielding assassin in Zero-cape-and -hat(!)

On the set of a dark war time drama at an old movie studio, a young director, Toshio Murai (Yanagi), is trying to complete his debut film. The two starring actresses, Hitomi Kurokawa and Saori Murakami, play sisters in his film. Murai has a crush on Hitomi (Shiroshima), the seasoned leading actress, and keeps a photo of her by his bed. The younger and less experienced actress, Saori (Ishibashi), is annoying and likes to have recess on the set. The production of the movie is consistently interrupted by strange occurrences and the cast and crew begin to get spooked.